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Norval Morrisseau: Kateri, Lily of the Mohawks

Waddington's | May 12, 2025

Categories: news


“MY ART SPEAKS AND WILL CONTINUE TO SPEAK TRANSCENDING BARRIERS OF NATIONALITY, OF LANGUAGE AND OF OTHER FORCES THAT MAY BE DIVISIVE, FORTIFYING THE GREATNESS OF THE SPIRIT WHICH HAS ALWAYS BEEN THE FOUNDATION OF THE GREAT OJIBWAY.” – NORVAL MORRISSEAU
 

Lot 202 – Norval Morrisseau, CM, RCA (1932-2007), Anishinaabe (Ojibwe) KATERI, LILY OF THE MOHAWKS, 1969. 
Estimate: $15,000—25,000

 

Norval Morrisseau, also known as Copper Thunderbird, was born in 1931 on the Sand Point Ojibwe Reserve near Beardmore, Ontario.

In accordance with Anishnaabe tradition, he was raised by his maternal grandparents. His grandfather, Moses Potan Nanakonagos, a shaman, taught him the Ojibwe language, history, traditions and legends. His grandmother, Grace Theresa Potan Nanakonagos, was a devout Catholic who taught him the tenets of Christianity. The contrast between these two religious traditions became an important factor in his intellectual and artistic development.

At the age of 19, Morrisseau became very ill. When Western medicine failed to cure his deteriorating health, his mother called upon a medicine-woman to perform a renaming ceremony. According to Anishnaabe tradition, giving a powerful name to a dying person can give them new energy and save their life. Morrisseau recovered after the ceremony and from then on always signed his works with his new name: Copper Thunderbird.

Morrisseau was self-taught and developed his own techniques and artistic vocabulary. Initially he painted on any material that he could find, especially birchbark, and also moose hide. During the 1950s Morrisseau collected traditional narratives and oral history providing inspiration and subject matter for his paintings. He also drew upon his own dreams and visions. Morrisseau said, “all my painting and drawing is really a continuation of the shaman’s scrolls.” In addition to the legends of his people, his work depicted the cultural and political tensions between Indigenous and European traditions, his personal existential struggles, and deep spirituality and mysticism.

Morrisseau is credited for creating the Woodland School of Art style, also known as Legend Painting or Medicine Painting, a distinct style blending traditional legends and myths with contemporary mediums. It explores the relationships between people, animals and plants and is rich with spiritual imagery and symbolism.

Lot 206 – Norval Morrisseau, CM, RCA (1932-2007), Anishinaabe (Ojibwe) OJIBWA INDIAN, CA. 1960-62 
Estimate: $15,000—20,000

 

In the 1960s, Jack Pollock, a Toronto art dealer, helped introduce Morrisseau’s art to a wider audience. The two initially met in 1962 while Pollock was teaching a painting workshop in Beardmore. Struck by the genius of Morrisseau’s art, he immediately organized an exhibition of his work at his Toronto gallery.

One of Morrisseau’s early commissions was for a large mural in the Indians of Canada Pavilion at Expo ‘67, a revolutionary exhibit voicing the dissatisfaction of the First Nations People of Canada with their social and political situation. In 1989, Morrisseau was the only Canadian painter invited to display his art at the Museum of Modern Art in Paris, to coincide with the bicentennial of the French Revolution.

In 2005 and 2006, the National Gallery of Canada in Ottawa organised a retrospective of his work – the first time that the museum had dedicated a solo exposition to an Indigenous artist.

Dubbed the “Picasso of the North,” Norval Morrisseau was also awarded the Order of Canada for his contribution to Canadian art. He had laid the groundwork for Indigenous art to enter the mainstream artistic scene. An inspiration to generations of artists, his signature pictographic style was imitated and copied by many. Through all his many challenges, Morrisseau’s art and dedication to telling his people’s stories persevered.

Lot 209 – Norval Morrisseau, CM, RCA (1932-2007), Anishinaabe (Ojibwe) OWL CHILD, 1980 
Estimate: $6,000—8,000

 

We are pleased to offer three works by Norval Morrisseau in the spring 2025 auction, lot 202, Kateri, Lily of the Mohawks, lot 206, Ojibwa Indian, and lot 209, Owl Child.

 

 

ABOUT THE AUCTION

Our major spring auction of exceptional First Nations art features important works by notable artists Norval Morrisseau, Alex Janvier, Daphne Odjig, Eddy Cobiness, Chief Henry Speck Sr., Carl Ray, Arthur Shilling, Cecil Youngfox, Dale Auger, and many more.

Please contact us for more information.

View the digital catalogue.

You must be registered to bid in this auction. Please register here.

PUBLIC PREVIEWS

Previews at our Toronto gallery located at 100 Broadview Avenue, are available:

Wednesday, May 21 from 10 am to 7 pm
Thursday, May 22 from 10 am to 5 pm
Friday, May 23 from 10 am to 5 pm
Saturday, May 24 from 12 pm to 4 pm
Sunday, May 25 from 12 pm to 4 pm
Monday, May 26 from 10 am to 5 pm
Tuesday, May 27 from 10 am to 5 pm
Wednesday, May 28 from 10 am to 5 pm
Thursday, May 29 from 10 am to 12 pm

Or by appointment.

Contact us to find out more.

 


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